Phish
Somerville Theater
Somerville, MA 
5/4/91 

TAPER: John Redmond
SOURCE Nak 300s > D5 

AUD MCass (Maxell MX 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3.

transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 12/13/2003
Mastering , editing and WAV > SHN were performed on Doomtooth by shakedown@furthurnet.org (01/09/2003)

**24/48 Masters do exist at the unedited/pre-processed level**

Mastering info:
24bit/48kHz FLAC's > Wavelab 4.01b on Doomtooth (patch/edits/crossfades) > Waves C4 > BBE > Waves L2 > 48kHz>44.1 via 192kHz Stereo Resampler and 24bit > 16bit dither UV22HR > Tracking in CD-WAV > SHNv3 appended

DISC ONE
set I:
01. //Oh Kee Pa Ceremony >
02. Suzy Greenberg
03. Cavern
04. Reba
05. My Sweet One
06. Split Open and Melt
07. Guelah Papyrus
08. /Fluffhead
09. Mike's Song >
10. I Am Hydrogen >
11. Weekapaug Groove 

DISC TWO
set II:
01. Dog Log
02. Llama
03. Colonel Forbin's Ascent > Famous Mockingbird
04. Buried Alive
05. Harry Hood
06. Horn
07. Rocky Top
08. //Possum 
encore:
09. Stage Banter, Thanks & Dedications
10. Terrapin
11. Runaway Jim
second encore:
12. Golgi Apparatus

Notes
Things seem a little distorted/over-modulated in the bottom end, it's worst in the first few songs.  The second set sounds much nicer.

There is a level adjustment in Split Open & Melt which I covered with a volume curve.

A short crossfade covers a dropout in Fluffhead.

Terrapin is NOT dedicated to Cam Neely, but instead is dedicated to Marnie. Trey makes note that without Marnie "you wouldn't recieve the newsletter"... Marnie Davis worked for John Paluska until sometime in 91 or early 92.

NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

Seeded to FurthurNet (www.furthurnet.org)