Phish
Somerville Theater
Somerville, MA 
05/03/1991 

TAPER: John Redmond
SOURCE Nak 300s > D5 

AUD MCass (Maxell MX 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3

transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 12/8/2003
Mastering , editing and WAV > SHN were performed on Doomtooth by shakedown@furthurnet.org (01/08/2003)

**24/48 Masters do exist at the unedited/pre-processed level**

Mastering info:
24bit/48kHz FLAC's > Wavelab 4.01b on Doomtooth (patch/edits/crossfades) > Waves C4 > BBE > Waves L2 > 48kHz>44.1 via 192kHz Stereo Resampler and 24bit > 16bit dither UV22HR > Tracking in CD-WAV > SHNv3 appended

DISC ONE
set I:
01. Bouncin'
02. Foam
03. Chalkdust Torture
04. TMWSIY >
05. Avenu Malkenu > TMWSIY
06. The Divided Sky
07. Fee//
08. Paul and Silas
09. Tweezer
10. Lizards
11. Sweet Adeline

DISC TWO
set II:
01. AC/DC Bag >
02. The Curtain >
03. The Sloth >
04. The Landlady >
05. Runaway Jim
06. Tela
07. You Enjoy/Myself
08. Harpua
09. Tweezer Reprise 
encore:
10. Take the A-Train
11. Big Black Furry Creature From Mars 

Notes:
Several songs in the first set were dedicated to Cam Neely, Trey's hero.  Cam Neely and his Stanley Cup expolits are also the subject of the Harpua narration.
http://www.hockeydb.com/ihdb/stats/pdisplay.php3?pid=3930

Tweezer has a full on Sweet Emotion jam, including lyrics from Trey (for Cam Neely?)

Sweet Adeline was performed w/o mics, but comes out rather nicely here.  It sounds like John was riding the levels at one point, I left it "as is".

NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

Seeded to FurthurNet http://furthurnet.org